The theme of revenge reverberates across pop and exploitation cinema genres, making up a large share of cop thrillers, gangster movies, westerns, slashers, gialli, jidaigeki, and especially martial arts movies. During their dominant era of the 1960s & ‘70s, Shaw Bros. Studios thrived on revenge narratives, thanks to the wuxia and kung fu templates set by Chang Cheh, Ni Kuang, and Lau Kar-leung. These often revolved around a lone warrior or small group of fighters escaping a m

While George Miller’s Mad Max (1979) was a groundbreaking work of science fiction action, it was really the first sequel, Mad Max 2 (aka: The Road Warrior, 1981), along with John Carpenter’s Escape from New York (also 1981), that set the standard for the post-apocalyptic action boom of the 1980s. The bulk of the output was made by Italians in the wake of the enormous success of Enzo Castellari’s 1990: The Bronx Warriors (Italian: 1990: I guerrieri del Bronx, 1982). The spaghe

Much like writer/director Shane Black's previous detective movie, Kiss Kiss Bang Bang, which teamed a fresh-out-of-rehab Robert Downey Jr. with Val Kilmer (RIP), The Nice Guys is a witty, funny, and twisty crime thriller set on the fringes of the Los Angeles film industry. Tragically, like Kiss Kiss Bang Bang, it was another box office disappointment, much to the chagrin of, well, pretty much anyone who saw the movie in theaters. Thankfully, with Warner Bros. finally opening

Ah, Alex Proyas. Similar to, say, director Brad Silberling, or the Wachowski sisters' work outside of The Matrix, Proyas has left behind a string of visually dazzling cult films but has never quite managed to become a name, despite his ability to put remarkable images on the screen. First there was The Crow, a comic book movie that feels like the next evolutionary step following Tim Burton's Batman, but which was marked by unimaginable tragedy. More recently, Proyas made the

A contemporary of Kinji Fukasaku, Sadao Nakajima was another hit-maker for Toei Studios during the ‘70s. Like Fukasaku, he found success across genres, but grew into an influential figure during a wave of popular jitsuroku eiga (true account) yakuza movies. Among these was the prison drama The Rapacious Jailbreaker (Japanese: Datsugoku Hiroshima satsujinshû, 1974), which ended up being the first film in a thematic trilogy, including Nakajima’s controversial Riot at Shimane Pr

Based on the folktale of the Oiwa spirit and two separate historically-documented murder cases, Tsuruya Nanboku IV’s kabuki play Ghost Story of Yotsuya in Tokaido (Japanese: Tôkaidô Yotsuya Kaidan, 1825) is one of the – if not the – most commonly told Japanese ghost story. It inspired literature, art, other plays, and at least 30 films (and counting), including multiple silent adaptations, Daisuke Itô’s The Phantom of Yotsuya (Japanese: Shinban Yotsuya kaidan; aka: Yotsuya Gh

Once upon a time, a professional weightlifter and developing actor named Jacinto Molina Álvarez developed a script based on his love of...

No other director had a bigger impact on Hong Kong action cinema than Chang Cheh, who directed and/or wrote around 100 movies across six decades. His films were steeped in a formula now known as ‘heroic bloodshed,’ which emphasized brotherhood, redemption, and violent sacrifice, but his style evolved with the times and helped usher in the Hong Kong New Wave style that, in turn, took Hollywood by storm in the mid-to-late ‘90s. While he was not the first filmmaker of his kind a

There is the impression that, at the end of the millennium, as postmodern horror grew in popularity, bereft of ideas, every Hollywood studio tried sending their aging horror mascots to space. The absurdity of the concept overshadowed the actual scope of this movement, as technically only three established franchises attempted this – Kevin Yagher & Joe Chappelle’s Hellraiser IV: Bloodline (1996), Brian Trenchard-Smith’s Leprechaun 4: In Space (completed in 1996, but not releas

As someone who arrived at their love of films through cult movies (namely, Entertainment Weekly's list of the top 50 Cult Movies of All Time), one gets used to the idea that many very good films are simply overlooked for one reason or another. Take the Wachowski sisters' Speed Racer adaptation, which was doing something visually ambitious and surprisingly cutting, politically, or the cult detective movie Zero Effect, which features a pre-Something About Mary Ben Stiller and B