Gabe Powers

At the top of its most internationally successful decade, the 1970s, Shaw Bros. Studios began diversifying their genre output, including a comparatively small, but vital series of horror films. The turning point was arguably 1974, which saw the release of two definitively Hong Kong-flavored films, Kuei Chih-Hung’s The Killer Snakes and Ghost Eyes, and a combination of Shaw kung fu and Hammer Gothic, The Legend of the 7 Golden Vampires, co-directed by Chang Cheh and Roy Ward Baker (technically...

The Italian/Spanish giallo fad blew up in 1970, following the release of Dario Argento’s Bird with the Crystal Plumage (Italian: L'Uccello dalle piume di cristallo, 1970), and peaked quickly over the following year (Patrick and I did a two-part podcast on several of the 40+ gialli released in the year 1971, have a listen here and here). By the middle of the decade, the market was saturated. Quick, cheap, and derivative output brought down the quality, but the influx sludge also helped the...

It’s always exciting when an obscure giallo is rediscovered on video, but it’s especially exciting when someone finds a film produced before Dario Argento’s The Bird with the Crystal Plumage (Italian: L'Uccello dalle piume di cristallo, 1970) turned a burgeoning subgenre into a fullblown cinematic fad. Released a solid two years before Argento’s film and having never made an official appearance on home video outside of Japan, Cesare Canevari’s tremendously underseen A Hyena in the Safe...