Of the maybe one dozen feature-length versions of Gaston Leroux's Phantom of the Opera (French: Le Fantôme de l'Opéra, originally published

Despite being spoken about in some top tier exploitation discourse, Stanley H. Brasloff’s Toys Are Not for Children (stylized on its poster

Surely, The Night Evelyn Came Out of the Grave is one of the more beloved gialli by a non-star filmmaker, but The Red Queen Kills Seven Time

The Night Evelyn Came Out of the Grave is a favorite among many giallo fans, due to its smorgasbord approach to the genre. Miraglia stirs...

Writer/director Fernando Di Leo is a cult filmmaker that a surprising number of self-proclaimed cult fans have managed to overlook.

In the wide world of unlikely sub-Hollywood hits, few could’ve predicted the lasting impact of Daniel Mann’s small-budgeted, tonally knotted

The ‘70s produced a collection of independent (mostly North American) filmmakers that genre fans have grouped and then bestowed the general

Gary Sherman’s Death Line (aka: Raw Meat, a objectively superior title) is the first and still the best of a small collection of horror...

Miguel Madrid’s Killer of Dolls (Spanish: El asesino de muñecas; aka: The Killing of the Dolls, 1975) is an especially rare entry in the sim

Stan Winston’s Pumpkinhead (1988) is an enduring curiosity that constantly overcomes its shortcomings by doing select things very, very well