Director Antonio Margheriti (often credited as Anthony M. Dawson) spent most of his career at the mercy of subpar scripts and minuscule...

I tend to assume that I understand the appeal of nostalgia and even find myself a victim of the stuff on occasion, yet I cannot fathom the..

The thought of centering a pre-sound era movie around something as sound-dependent as opera music may seem counterintuitive to the...

It’s a little known fact that every indie and arthouse director worth their salt is actually required to make at least one subversive movie

Of the maybe one dozen feature-length versions of Gaston Leroux's Phantom of the Opera (French: Le Fantôme de l'Opéra, originally published

Despite being spoken about in some top tier exploitation discourse, Stanley H. Brasloff’s Toys Are Not for Children (stylized on its poster

Surely, The Night Evelyn Came Out of the Grave is one of the more beloved gialli by a non-star filmmaker, but The Red Queen Kills Seven Time

The Night Evelyn Came Out of the Grave is a favorite among many giallo fans, due to its smorgasbord approach to the genre. Miraglia stirs...

Writer/director Fernando Di Leo is a cult filmmaker that a surprising number of self-proclaimed cult fans have managed to overlook.

In the wide world of unlikely sub-Hollywood hits, few could’ve predicted the lasting impact of Daniel Mann’s small-budgeted, tonally knotted