Zombie (aka: Zombie Flesh Eaters, 1979) represents Lucio Fulci in flux between different points in his career. Following a decade of work...

While I am the type to argue the artistic legitimacy of Lucio Fulci's horror legacy, I’m not so blinded by nostalgia for the golden age of

I don’t really subscribe to the idea of guilty pleasures. Assuming one’s taste in movies, music, books, and other artistic pleasures don’t

Arguably, House by the Cemetery was Fulci’s last great movie, but it didn’t quite mark the end of his prime era. In 1982, he unleashed his

Once upon a time, I spent five weeks in a sterile hospital room that I wasn’t allowed to leave. I was stuffed to the gills with medication

Kiyoshi Kurosawa’s Pulse (Japanese: Kairo), released several months before 9/11 in 2001, was a particular high point in the post-Ring...

In the early 1980s, Lucio Fulci was riding the highest high of his entire career. Following a successful run of spaghetti westerns, gialli

During its popular heights, the Italian film industry’s M.O. was reflavoring Hollywood formulas and most Italian cult filmmakers developed

Dario Argento often cites Phenomena (aka: Creepers, 1985) as his favorite and most personal motion picture, despite it being generally...

The horror community best knows D’Amato for his strange slasher variants, Anthropophagus (aka: Anthropophagous: The Beast and The Grim...